I have been very aware of how quiet things have been here recently, this has been due to the hours of video footage and location and studio recordings that I now have to sift through and edit into some kind of publishable copy. As a follow up to recording the Lethendy/Essendy Pictish drum in the recording studio earlier this year, July saw a group of us field recording the drum in situ. at Wemyss Caves, with rather impressive results. The finished video and audio recordings will be forthcoming hopefully by the end of the year. A journal paper around the research is also planned with a hoped for publication already in mind.
I will follow up this brief post with a few extracts from the Wemyss field trip. In the meantime I cannot thank Ronnie Goodman enough for taking the time to come and play the drum on the day, accompanied by artist wife Christine who also filmed with a second camera. Also there to assist and make their own recordings were my graduate student Keith Harvey and Hannah Rennie a member of his new archaeology research group.
The rambling thoughts and musings of an audio engineer/sound designer turned archaeoacoustician